一个中年残疾男人无意间与一个女子开始书信往来，他渐渐觉得自己坠入了爱河，而当两个人要见面时，意外发生了……

When Gonzo forgets to mail three letters to Santa, he convinces Kermit and the gang to help him deliver the notes to the North Pole. Along the way, they discover that Christmas is the time to be with those you care about most, as they dash home to make a friends Christmas wish come true.

In 1981, after the presidential elections in France, and the arrival of the french socialists in gouvernement, the french TV asks to Godard to make a movie about the idea of change. 　　Godard, finally, made a short movie in which he explains that , between images and power, or politic, there's always some manipulation. 　　Godard compares himself as a french resistant during the WWII, tortured by Gestapo, suffering of lack of freedom with the actual TV. 　　A great short.

In 1981, after the presidential elections in France, and the arrival of the french socialists in gouvernement, the french TV asks to Godard to make a movie about the idea of change. 　　Godard, finally, made a short movie in which he explains that , between images and power, or politic, there's always some manipulation. 　　Godard compares himself as a french resistant during the WWII, tortured by Gestapo, suffering of lack of freedom with the actual TV. 　　A great short.

安那其主義者《70年代》成員作品，在尖沙咀海運中心巴西咖啡舘等地點拍攝，原片以35毫米攝影機拍攝；1978年作爲獨立短片展節目在大會堂低座首映。1980年底，永熹公司同意在聖誕假期在灣仔京都戲院於活地•阿倫電影放映時，同場加映，可是影片在12月13日送檢，12月24日接到電檢處通知影片被禁，不能公開放映。

Jean-Luc Godard did not attend the world premiere of his new film, ADIEU AU LANGAGE (GOODBYE TO LANGUAGE), at Cannes. But instead, he sent a letter in motion to Gilles Jacob and Thierry Fremaux, the directors of the Festival. 　　Made public the 21/05/2014.

Jean-Luc Godard did not attend the world premiere of his new film, ADIEU AU LANGAGE (GOODBYE TO LANGUAGE), at Cannes. But instead, he sent a letter in motion to Gilles Jacob and Thierry Fremaux, the directors of the Festival. 　　Made public the 21/05/2014.

The filmmaker approximates her mother's perspective using material from the family archive.

The filmmaker approximates her mother's perspective using material from the family archive.

一群中国留学生穿梭于波士顿的各个地方，游走在市中心与郊区之间。我们不知道他们的具体关系，只知道他们生活的局部，和他们身处的地方。我们看见他们在街道上漫游，或在原地思考些什么。一场偶遇，聚会，别离仿佛即将发生在他们身上，但又因为他们的出画而戛然而止。尽管生活慢慢步入正轨，但仍有一种暗流隐藏在凝滞的日常碎片之中。